Melissa Kacar

"oh yeah?" serves as the title track of Steve Lacy 's third album, which is his first record in four years, and a clear showcase of the personal and artistic growth that's shaped him during that time. As the opener, it immediately sets an existential tone, introducing the listener to the journey the album is about to take them on from that point forward. It features a dreamy, synth pop sound that feels reminiscent of some of his earlier work, but elevated in a way that reflects how much he has evolved since his last release. A distinct sense of renewal is embedded in this song, which is largely centered around hope and new beginnings coming through after a particularly rough patch of life.  "Life's a bitch, and then you live again" is the defining lyric of the otherwise simple and sparsely written song. Much of the rest of the song is intentionally minimal, with the repetition of "Come on" as the chorus serving as the mantra meant to pull your...

return of saturn   is a playlist I curated in honor of my 27th birthday today, which marks the beginning of what astrologically is known as my Saturn return, or the moment Saturn reaches its first full cycle and returns to the exact position it was in when you were born. This transition is said to happen between the ages of 27 and 30. I don't know about all of the specifics or the science behind it, but it's a very interesting phenomenon to read about. Also just to feel this shift happening in life, that innate sense of change and reflection that occurs at this stage is especially pertinent lately. These songs I chose are meant to embrace that change and the evolution that comes with entering a new chapter of life. It's a very personal collection of tracks I've connected with and feel represent that theme, but I also hope anyone who listens can find something meaningful within these songs too. Many of these songs also touch upon this phenomenon, and I wanted to highligh...

Greetings from the Upside Down! My first visit to Netflix House Philadelphia was such a fun experience! This is a new attraction at the King of Prussia Mall, located just outside of the city. It opened last year and I have been looking forward to getting a chance to finally visit, but was waiting for them to inevitably have a Stranger Things installation here - and alongside the tenth anniversary of the first season premiering, the time has finally come!  Netflix House is free to enter, but the different attractions are all individually ticketed and paid, timed experiences. Even just stopping in to see the lobby and gift shop is a great time, especially with all of the photo ops throughout the space. Netflix House is in what used to be one of the old department stores that closed a few years ago at the mall and they completely transformed it into a really unique spot. They really nailed all of the theming and design - the way they incorporate their biggest original shows and films...

"Sue me" is an unapologetically fun and carefree pop song that captures the chaotic rush of going back to someone you know you shouldn't. It's endlessly catchy and filled with so much of Audrey Hobert 's personality. She writes and performs from such a self-aware place, one that is also a little bit awkward in the most charming way.  This was Audrey's 2025 breakthrough debut single, coming off the success of her collaborations with her close friend Gracie Abrams , co‑writing some of Gracie's biggest songs to date, including "That's So True" and six other tracks from The Secret of Us . Hearing Audrey's solo music now, it's clear how singular her voice is as a writer, with a distinctiveness comes through in everything she's apart of.  "Broke up with you in November, sorry, I know you remember, are you depressed or are you feeling better? 'Cause you're looking like it's the latter," she sings in the opening ve...

Take The Sadness Out of Saturday Night  is an album built on its contradictions; the divide between wanting a big life and wanting a secret life, finding ways to live alongside simultaneous hurt and hope, going from the shadow to the city and back again, and most of all, the desire to move forward while still feeling tied to all that has come before. With this album, Jack Antonoff sets out to make a project that is largely an examination of joy and the need for it, but also the doubt that comes with not understanding why you can't seem to hold onto it. As so many Bleachers records do, this album approaches those feelings in a way that shows how they shift and evolve through time. It is shaped by the angst and fears of that moment, but also by what he called the "unearned hope" he was feeling at the time - with all of it wrapped up in the collective consciousness of that particular point in history.  With this music, Jack isn't necessarily setting out to solve all of ...