Happier Than Ever by Billie Eilish // 5 Year Anniversary Album Review + vinyl and splatter CD!

When looking back at Billie Eilish's career thus far, her sophomore release Happier Than Ever served as a pivotal stepping stone in her evolution. It is almost an impossible feat for any artist to be able to follow up a massive debut like Billie had with WHEN WE ALL FALL ASLEEP WHERE DO WE GO?, Happier Than Ever stands out as a moment of artistic progression and experimentation in numerous ways. 

The historic Grammys sweep that came for her debut album intensified the pressures and attention placed on her, often in ways that obviously would overwhelm anyone, nonetheless a teenage girl who just a couple of years prior just started making music with her brother, Finneas, in their childhood home. The level of scrutiny and high expectations that were placed upon her, for better or worse, greatly shaped the experience of creating this second album.

"There are things we are super proud of on Happier Than Ever, but I know from thinking back and thinking about the year we made that album that it was two people who had just been told the nicest things imaginable," Finneas said in a 2023 interview with Apple Music. "I know from remembering it that we sat around being like, 'We are so good.'" That confidence - or what they took it for in the moment - later brought out a sense that, in reflection, they perhaps "didn't push themselves" to create the best work they could have at the time. "As much as Happier Than Ever was coming from this place of 'we are so good,'" Billie added in the same interview, "it was also, at least for me, not knowing at all who I was."

It ultimately turned into something largely representative of who she is as an artist beyond the persona she crafted early on. Happier Than Ever captures Billie growing up, finding herself, and reckoning with the new life she was suddenly thrown into at her coming of age. This album is indicative of the growing pains that come with achieving an unprecedented level of success so early in one's career.  

In an effort to find herself, Billie largely went against everything she was doing up to that point - starting with bleaching her hair and stepping into an entirely new aesthetic. She counteracted her signature edgy, gothic, oversized style with a more traditionally feminine look, leaving behind the neon green roots for something intentionally softer and most of all, different, than what she had been known for up to that point. Billie was met with scrutiny in every single aspect of her life, especially when it came to the way she dresses and how her body looks; but what stands out is how she truly used this moment to reclaim autonomy and assert her control over the narrative about her with this album. In retrospect, she has talked about the ways in which she didn't feel necessarily the most "herself" at that time in her life, and Happier Than Ever being what Finneas called their "...identity crisis album" years after its release in an interview with Apple Music. 

While much of those thoughts came in hindsight, in the moment this album was essential in signaling to the rest of the world that she refused to be put in a box or remain seen as one thing forever. That same philosophy then carried into the music as well. Across its 16 tracks, the album jumps from heartfelt ballads to a sultry, jazzy bossa nova moment (Billie bossa nova, if you will), to a wild EDM track, to a spoken‑word reflection on body image, to morbid ruminations on life and death, to her screaming over electric guitars, and finally to a beautiful acoustic closer. It is intentionally sprawling and unpredictable in every way. 

If one thing is true about Billie, in every single aspect, it's that you cannot box her into one style or sound. She's the true embodiment of what it means to be a multifaceted artist in constant evolution, and she's always carried a certain attitude in the way she works that feels like the embodiment of the notion that whatever people say I am, that's what I'm not - whenever people expect something from her, she'll instinctively move in the opposite direction. And she does all of this by being completely herself, whatever that may mean in the moment. During the Happier Than Ever album cycle, that sense of self shifted and changed quite a bit, both sonically and personally, and the music became a reflection of that ongoing transformation.

While Happier Than Ever features several of the best songs she has ever made, it was largely met with mixed reviews and didn't live up to the commercial success of her debut or even the critical notoriety of her third record, HIT ME HARD AND SOFT. Beyond that, the significance of this album lies elsewhere in Billie's discography. It is a powerful reflection of the vulnerable, and at times messy, sides of her life and experiences thus far, and remains one of the most important chapters in understanding Billie's evolution as an artist.

The Happier Than Ever era came with a long, drawn-out album rollout that maybe allows explanation for some of the disjointed feelings toward the cohesion of the album. The first single released was "my future" in summer of 2020, exactly a year prior to the rest of the album's release, and offered a glimpse into the lighter, jazz-influenced wavelength she was on at the time. The singles that followed were scattered across months with no clear connection to them being a part of a larger project. Songs like "Therefore I Am" and "NDA" were released this way, yet still remain major highlights within the album tracklist. The sound of the album itself undoubtedly shifted throughout the process and they were clearly trying out a lot of different ideas and sounds that they haven't done before. Especially in comparison to the succinct cohesion of her first and most especially her third record, Happier Than Ever is trying to be a lot of things at once instead of focusing on honing in on one single narrative. Even though it is quite sprawling, this album presents many thought-provoking ideas and showcases the full range of where she and Finneas can go musically. 

Across its sixteen tracks, there are moments that feel like entirely different records stitched together, which is something they have acknowledged over the years, noting that this long of a tracklist is not something they will likely do again. They have largely expressed a desire to move forward with tighter, more streamlined albums devoid of any filler, as exemplified by HIT ME HARD AND SOFT and Finneas' various solo projects that have been released since. They largely went in the complete opposite direction when it came to the album release of Billie's third record, instead opting to release the entire album all at once with no prior singles. 

Upon the official album announcement in April 2021, Billie released "Your Power", a vulnerable song about power imbalance and the ways in which she has been exploited by men throughout her life, but written in a way that can be applied to many different people and situations. When promoting the song, she intentionally didn't go into specifics about what inspired it for her, choosing instead to bring awareness to the broader issues the song presents and spark a larger conversation. It is deeply powerful, and sadly, incredibly relevant.

The song delves into the ways a young girl was taken advantage of by an older man, but it truly does take on many different meanings depending on the listener. In the years following its release, Billie often performed "Your Power" on tour as a protest against the overturning of Roe v. Wade in the US, with the implications of abuse of power taking on an entirely new precedent in the aftermath of that decision.

"It's really a big subject. It's about a lot of different things. It's sadly very relatable for people. I'm not gonna make it about my experiences because it's really hundreds and hundreds and hundreds of thousands and millions of people have experienced this every single day," Billie said in an interview with BBC Radio 1. "It's everywhere you look and I hate it and I wanted to say something and I'm not gonna get too deep into the specific lyrics and what they mean and what they're really about but it's a problem that's occurring everywhere you look. And everyone is someone or knows someone who's been taken advantage of." For a young woman with a primarily young female fanbase to sing a song like this - and so many others on the album - is a defining part of what continually makes Billie such an incredible advocate and voice within this generation of artists.

Throughout the rest of the album, Billie takes on a variety of important and deeply personal topics. Songs like "Getting Older", "my future", and "Male Fantasy" largely depict the universal female coming‑of‑age experience of trying to find your place in the world, while reckoning with everything in the past, and looking toward whatever comes next. These songs in particular feature some of the most transparent, beautiful lyricism of her entire career. 

The record is also anchored by some underrated gems like "I Didn't Change My Number", the sultry "Billie Bossa Nova", and the stunning deep cut "Hayley's Comet". "GOLDWING" stands out as a moment of reflection - and a warning - about the fleeting powers of fame and the double‑edged sword that comes from experiencing immense stardom at a young age. Billie has said it was written specifically for, at the time, the new viral ingenue Olivia Rodrigo, who earlier that year had a massive breakthrough similar to Billie's and was met with overwhelming attention. But its message could apply to any young artist suddenly swept up in the machines of fame and virality in the modern age. 

"Not My Responsibility", "OverHeated", and "Lost Cause" each explore, in their own way, the feeling of everyone wanting a piece of you and being pulled in every direction, whether in the media, in relationships, or in the context of online fandoms too. Together, all of these songs form a portrait of a young woman navigating the pressures of visibility and expectation while still trying to understand who she is on her own terms.

Happier Than Ever ends with a string of four of the best songs of her entire career. "NDA" and "Therefore I Am" stand out as two tracks that are essential to hear in tandem, with one of the most iconic transitions she and Finneas have ever created. These are also two of the strongest songs Finneas has ever produced. "NDA" in particular opens up about the darker sides of fame and the spiral she found herself in at that point in her life, with all the obstacles standing in the way of anything resembling a normal existence. There's a sense of not really knowing who to trust and slowly succumbing to the pressures of what this life is bringing for her.

"Did I take it too far? Now I know what you are, you hit me so hard, I saw stars," she sings with an unraveling sense of self in the song's outro. "Think I took it too far, when I sold you my heart." The subtle lyrical foreshadowing of what was to come for the next chapter is such a special detail in hindsight.

"'NDA' is kinda all over the map. It's got a lotta different things going on that were completely different situations," Billie said in an interview with Spotify. "It was really just things I was thinking and feeling and doing in my life and I was like, I'll just write about it. I don't know, I think it's very cool. 'NDA' is very all over the place and up for interpretation."

"Therefore I Am" follows, which is such a fun and sharply written song full of her signature humor and attitude that defined her early hits like "bad guy" and "bellyache". "I don't want press to put your name next to mine, we're on different lines, so I wanna be nice enough, they don't call my bluff, 'cause I hate to find articles, articles, articles, rather you remain unremarkable," she sings in the second verse. "Gotta lot of interviews, interviews, interviews, when they say your name, I just act confused".

"I feel that I sound very, like, I'm just fucking around. I'm just joking and shit. You know that, 'Stop, what the hell are you talking about?' It's like, come on. It's so real and natural and don't take me seriously, you know? I love it," Billie said in an interview with Zane Lowe when it was released. 

The entire album truly builds up to the title track, "Happier Than Ever", which is the most insanely cathartic moment of her career. She has never been one to hold back in her writing or in the way she puts her entire self on the line for her music and this is the full embodiment of that. It begins with a gentle confrontation of an ex over a soft acoustic instrumental as she sings, "When I'm away from you, I'm happier than ever, wish I could explain it better, I wish it wasn't true," in the opening lines of the song. It slowly builds until it erupts into the second half. To be able to relive the moment of hearing that switch for the first time, going in completely blind, would be a dream. It remains one of the most iconic transitions in modern pop and genuinely one of the best songs ever.

"I don't relate to you, no, 'cause I'd never treat me this shitty, you made me hate this city," she sings in the defining climax of the song. "And I don't talk shit about you on the internet, never told anyone anything bad, 'cause that shit's embarrassing, you were my everything and all that you did was make me fuckin' sad."

In an interview with Spotify, Billie said this is "...probably the most therapeutic song I've ever written or recorded, like ever, ever, ever." She added, "'Cause I just screamed my lungs out and could barely talk afterwards, which was very satisfying to me somehow. I had wanted to get those screams out for a very long time and it was very nice to."

Every emotion keeps building until the final verse: "You ruined everything good, always said you were misunderstood, made all my moments your own, just fuckin' leave me alone," by which point she is fully screaming over a wild range of electric guitars, finally allowing herself a full‑on rockstar moment, which is something long overdue by that point. This is absolutely a defining song of her career (although there are many at this point), but the unfiltered emotions she lets out at the end is unmatched.

Although "Happier Than Ever" absolutely feels like the perfect way to end the album, Billie instead leaves the record on a much softer, introspective note. "Male Fantasy" is a gorgeous dissection of so many different aspects of her life, sides that often aren't explored in music in this way, but again connects back to the themes she presents throughout the entire album, but especially on the opening track, "Getting Older". It is a powerful coming‑of‑age exploration, a journey into her mind at that point in her life as she entered her 20s and tried to make sense of the experiences she had gone through up to that point. Breakups, both romantic and platonic, linger throughout the song, the latter of which she explores with such vulnerability that is deeply comforting to anyone who has gone through similar situations in life.

"And it's all I think about when I'm behind the wheel, I wonder if this how I'm always gonna feel, but nothing lasts I know the deal," she sings in the second verse. She sings specifically about the ending of a friendship and the enduring after‑effects it can have years later, as well as the ways in which people who may no longer be in your life, for a variety of reasons, still forever remain a part of who you are.

"'Male Fantasy' is really a hopeless realization and a horrible thing. It's terrible to feel something that you don’t want to feel," Billie said in an interview with Spotify. "'Happier Than Ever' was actually gonna close the album and then we wrote 'Male Fantasy' and it actually felt better to close it with that. Not ending on a angry note, I think, was important 'cause nothing should end on a bad note, I feel like."

"I loved you then and I love you now, and I don't know how, guess it's hard to know when nobody else comes around, if I'm getting over you or just pretending to, be alright, convince myself I hate you," she sings in the chorus. She ends the entire album with such a beautiful sentiment, "Can't get over you, no matter what I do, I know I should, but I could never hate you."

Thanks for reading! I wrote a more in-depth review about every single song on this album upon its release in 2021, as well as the first single "my future" + a rare 7" vinyl. Many more are linked below and coming soon. It also felt like the perfect time to highlight the indie exclusive brown vinyl and CD paint splattered by Billie herself in the photos used throughout this post. The Julie London inspired imagery of this album is so gorgeous and always worth showcasing!



All photos are my own!



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